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One year's time (PG) Print

Written by elektra121

30 December 2010 | 1627 words

Title: One year’s time
Characters: Éowyn, Faramir, Éomer, maybe Gríma (depends on your interpretation), Théoden, Merry
Rating: All audiences
Summary/Teaser: Darkness surrounds her, desperation, agony, but she still is not allowed to die, even now. He has left her behind, and she does not even have a window looking to the East, looking to death.
13 drabbles that feature Éowyn.
Warnings: none
Author’s Note: This was my contribution to the German fanfiction-drabble-project ‘Jeder Monat hat hundert Worte’ (“A month is 100 words”) that features one character in a drabble for every month of the year.

With many thanks to December for betaing.


December – DARKNESS

The last night of the year has come, moonless, starless, hopeless and bitterly cold.

The few flickering lights do not suffice to brighten up the all-consuming darkness. The smouldering fireside does not suffice to ban the cold breath of winter from the Golden Hall.

The hangings that used to tell of times of glory are worn, the faces of men are worn too, used to grief. She passes the deepest hours of night waking, quiet and cold, among the others, waiting for dawn. But the dull morning light does not bring back hope, only prospect of one year more, nearer to desperation, nearer to death.

January – ICE

Cold, outwards and inwards. Icy hands and aching feet that even by the fireside never warm fully. Stiff fingers and clammy blankets and exhausting shivers, from early morning till late night, even in sleep, even in dreams.

And yet… it is a good thing to have the cold to keep her together. For what would happen, if some other fire would warm her, if some other blankets and some warm words would melt her inside and unfreeze her heart? Nothing would be left of her, only water, seeping away.

But ice is straight and clear, and hard and sharp like glassy daggers.

February – SNOW

Snow, alluring and dangerous. Seemingly innocent and white, but treacherous. Covering traps that bring about downfall, and obscuring clear vision. Enticing with its softness, its gentleness, its power to cover up anything, level anything, in sparkling beauty. But also covering tracks and paths until you go astray and get lost.

She must not become soft like snow, she must not give in. And yet… somehow she longs to, yearns to get lost, to let herself fall into it like a child and feel its fluffy kiss on her cheek.

March – MIRE

Muddy pathways. The thawing of the ground is a forerunner of springtime, but it brings no joy, only more difficulties. Day after day now there is rain, melting away the last remainders of snow, turning the ground beneath the horses’ hooves into mire. Every step is labour.

Looking at the wains with their heavy wheels – furrowing their way through the mud, getting stuck only too often and having to be yanked with greatest effort, only to get stuck again a few feet from there – Éowyn has to think of how it would feel to cast herself beneath them to finally end this agonising existence.

April – WIND

The fresh wind from the plain brings curious news. Strangers, as though risen out of some fairy-tale: an Elf, a Dwarf, a Wizard. And a man, ragged like a beggar, with a brow like a hero, who does like the warriors of old did: riding to war with the King. Honourable, with prospect of some praiseworthy death.

And it is then she cries, out of relief, out of sheer joy, that there is finally someone to fight alongside with – to love – to die for; like in some great and wonderful song of old.

May – A WISH

Darkness surrounds her, desperation, agony, but she still is not allowed to die, even now. He has left her behind, and she does not even have a window looking to the East, looking to death.

She has had a short and fruitless talk with the Steward on that matter. The next morning she meets a fellow-prisoner sharing her fate, but expecting from her hope she cannot deliver. On the third day a friendly man gives her a mantle, against the cold wind, how strange, for she is cold from the inside. The fourth day she has long conversations with a friend, who understands, who knows, like herself, that this, here, is the end.

But on the fifth day, when she finally faces the long longed-for death, suddenly she rather wishes to live a few days more, to stay with this friend for just a little longer, here in this garden, at the end of time.

June – VICTORY

Victory is here, but it does not feel like victory at all, and her darkness returns. She walks the gardens, lonely again, and she does not understand herself. Her brother asks that she come to the celebrations, but she does not go. The King does not ask for her. Is this why she stays?

It is as though something is keeping her in this garden, as though she is searching for something she held for a short time and has lost again.

At last a visitor comes for her, and stands beside her on the walls again, and finally she realises what it is that is making her stay.

July – JUSTICE

She returns home, even though for a short time, and still, saying farewell is hard. Rohan seems unreal, familiar yet strange, as if she had been away for a lifetime.

The Golden Hall is still abandoned and has to be filled with life anew. On the threshold of Meduseld she takes her brother’s hand – a promise to support him, to help him in making everything new.

And as the new king administers justice, she is by his side, sitting in the place of the counselor, for he wants no one but her to be there. And all the people that come before the King say that none would sit there more rightly than she.

August – THE SKY

The sky has never been so wide, nor so high, nor so splendid. Full of stars by night, so full they fall down. Her days are equally full of duties and chores, but at night she manages to steal away from the Golden Hall – and he waits for her under the stars. Somehow, it is like she has a secret lover, though he is anything but a secret.

They wander the nightly fields, listening to the rustling of the ripening herbs’ ears, smelling the barley; and out there there is nobody but them, Nightbride and Starlord, with earth for their bed and sky for their blanket.

September – LEARNING

The days – and not so few nights – in the Houses of Healing are filled with work and learning. It is satisfying work and there is much to learn. Many things seem wholly new and strange to her. She has never known of herbs and ointments, never known the art of healing wounds. The art of making wounds had been her pride instead.

But when she washes the sick and feeds them soup and whispers to them words of hope, somehow it feels very familiar and it teaches her some new sort of pride, where she had never thought there could be anything to be proud of.

October – THE SUNSET

The most dear of all dwellings – she has called it, but she would not have thought to dwell there for so long without him who is the cause it has become the most dear dwelling.

Indeed, there is much work to do, for both of them, and that is good and rightly so. But she cannot and will never understand why in Gondor marriage counts not until the wedding and not from trothplight. And why the whole city of Minas Tirith guards her virtue so jealously she is not even allowed to stay the night at the house of the Steward, even though he is her husband since those nights in the fields, and everybody who owns a heart surely must know that.

Every evening he comes one hour before sunset, and this one precious hour is theirs and they walk in the garden and tell each other about their daily chores, until the warden politely reminds it is time and the Steward has to play by the rules and return home.

November – REMEMBRANCE

The days become cold and dark, but she has a mantle keeping her warm, and her heart is light.

A letter from Merry comes to her, telling of the strange tales that happened in his home and how they concern her home also. And it is then she realises how the world has changed in the span of one year’s time.

Théoden, whose body lived and whose glory was gone and whose body now lies buried and whose glory lives on. The counselor, whose victory seemed and whose defeat now is certain. Éomer, the banished, who is now king.

And she herself, the lost one, found.

December – CELEBRATION

The last night of the year has come, and the King’s celebration outshines the moon and the stars.

The halls are ablaze with light and full of laughter and music, warm with firelight and hospitality. The blazing colours of the gowns are competing with the guests’ faces, coloured from dancing and wine.

Dancing with the Steward and the King, and singing with the others, and applauding the musicians, there is no trace of bitterness or envy or grief left inside her.

The kiss at midnight promises so many blissful years to come, and the true joy has only just begun.

NB: Please do not distribute (by any means, including email) or repost this story (including translations) without the author's prior permission. [ more ]

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4 Comment(s)

Thank you, elektra, for this story!

It is much unlike anything I’ve read so far, especially in this field – a very original approach, I think! You give a very lucid, emphatic picture of Eowyn’s state of mind – and heart – and the developments in her life without actually writing out any specific actions, dialogues, or thoughts. This story rather operates with moods and impressions, and communicates sensations and emotions in some very direct, unmediated way. This has had quite an unusual effect on me: when reading, I came to visualise the scenes not so much in terms of the characters, as rather of the ‘feel’ of the atmosphere surrounding them. Er, this is kind of hard to put into words… Most like when reading poetry, actually, not prose.

It’s a little difficult to single out the favourite months, because most of all I like the very flow of Eowyn’s moods, the dynamics of the story’s texture. Each month is made the fairer by the ones before and after it. But still, I said I’d tell you, so: first the winter set, I love how you unfold Eowyn’s progressing depression and desperation through nature, all the nuances of ice, and snow, and darkness… On the outside, there seems to be no development in her life, the days of February pass just as those of January – but how much is going on under the surface… How sad, no one seems to notice anything… Of the happier months I loved most of all August, it seems to symbolise all the newfound freedom, and joy, and possibilities in Eowyn’s life. And although generally I’m very much in opposition to the idea of her and Faramir becoming intimate before the actual wedding, the way you write it – I really can believe that it could have been like in this story :) Oh, and I absolutely love the names you give them in this month!

Have you considered mapping out someone else’s journey according to this scheme too? :)

December    Monday 3 January 2011, 17:03    #

First of all, December, thank you very very much for making my translation the nice smooth English it is now. :)

And thank you for the longest comment I ever received on any of my stories! Ever.
Wow, thank you, thank you, thank you.

Ahem…as to the matter of your comment: I always believed Rohan to be more saga-like than the rest of Middle-earth. And sagas, much like heroic epic tell about the emotions and feelings of their heros not so much through their words or thoughts but with help of the things surrounding them or what can be seen from the outside.
And you’re right, I too believe drabbles to somewhat represent the link between poetry and prose.

I must say that I too like the winter-drabbles and August best. And in the process of writing them I listened to songs that seemed to represent the “mood” best:

If you want to check them out too:
Winter-Drabbles: “O come, o come, Emmanuel” by Enya http://www.youtube.com/watch?v=DPHh3nMMu-I

April: “Requiem for a Dream” (I’m pretty much sure you know this one)

May/June: “Gegen einen Dämon” (An Old-High-German magic spell to ban a demon, in a modern version) http://www.youtube.com/watch?v=DPHh3nMMu-I

August: Ajde Jano (A Serbic Love/Dancing-Song), that seems for me to tell of all the senseless exuberant joy in the unconceiveable beauty of nature and love: http://www.youtube.com/watch?v=1UPlyQow2rI

I’m afraid the wonderful title “Starlord”/“Sterngemahl” has not been my invention (but “Nightbride” is!). :/ Actually, the whole August-drabble itself was written around that name. It comes from the 1930-poem “So wild nach deinem Erdbeermund”/“So wild for your strawberry-mouth” by Peter Zech, who wrote it in the style of Francois Villon (a genial French poet of the 15th century).

And at last, yes, I have considered writing this project for another character. I think my second choice would have been Denethor. ;)

elektra121    Monday 3 January 2011, 20:54    #

I really like these a lot, thanks! :) You have a wonderful writing style, and build great imagery in my mind.

— Morwen    Wednesday 5 January 2011, 6:24    #

Thanks a lot for your kind review!

It is a nice incentive to go and write more. :)

elektra121    Wednesday 5 January 2011, 10:15    #

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